Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
🕊
In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact

Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
🕊
In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact
More
  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
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  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
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an AUTOETHNOGRAPHic reflection

VIA WINK’S REFLECTIVE CYCLE FRAMEWORK


Valenciá D. Clay-Bell

School of Education, Johns Hopkins University

ED.855.710.1A: Multicultural Education

Dr. Yolanda Abel

August 26, 2023

Framing the reflection

Adams et al. (2017) definition of autoethnography frames my inner-thoughts and theoretical reflection as it entails personal experiences related to my professional practice, in a way that is intended to be accessible to stakeholders and practitioners, within my culture, and across a global scale (Cho & Trent, 2006)..


I also draw from Wall (2008) who organized a personal narrative filled with dialectical truths (Cho & Trent, 2006) rooted in theory to share a proposal for shifts for the field. 


My guiding reflection question, “To what extent did and does my teaching practice as a social media influencer impact literacy attainment among learners within my culture?” was also inspired by Wall (2008). 

positionality and purpose

Representation

Representation

Representation

This reflection is about a multicultural problem in education, I feel, I had a role in perpetuating. I see myself as an insider in education, as I am a college professor and was also a middle school teacher for a total of 14 years. 

Presentation

Representation

Representation

The purpose of this auto-ethnographic reflection is to share the theory behind the transformative thought process I experienced after critical reflection of my role as one of the educators perpetuating the issue.

Performance

Representation

Performance

I will be reflecting on my prior thoughts, published work, and professional practice using Winks (2011) reflective cycle as the framework and Pritchy Smith’s (1998) knowledge bases for diversity as the lens in this visual representation.

thoughts on mental health

Naming the Focus

Describing the Focus

Describing the Focus

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Describing the Focus

Describing the Focus

Describing the Focus

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Analyzing the Factors

Interpreting the Impact

Interpreting the Impact

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Interpreting the Impact

Interpreting the Impact

Interpreting the Impact

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Thoughts on cultural consciousness

Action Plans

Action Plans

Action Plans

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New Focus

Action Plans

Action Plans

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Thoughts on equitable access to literacy

New support

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Gallery OF CHANGE

Artifact No. 1 The Fighter

Artifact No. 2 The FlipGrid

Artifact No. 2 The FlipGrid

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Artifact No. 2 The FlipGrid

Artifact No. 2 The FlipGrid

Artifact No. 2 The FlipGrid

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Artifact No. 3 The Bias

Artifact No. 2 The FlipGrid

Artifact No. 3 The Bias

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Artifact No. 4 The Form

Artifact No. 5 The Reflection

Artifact No. 3 The Bias

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Artifact No. 5 The Reflection

Artifact No. 5 The Reflection

Artifact No. 5 The Reflection

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Artifact No. 6 The Blog

Artifact No. 5 The Reflection

Artifact No. 5 The Reflection

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Artifact No. 7 The Positionality

Artifact No. 7 The Positionality

Artifact No. 7 The Positionality

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Artifact No. 8 The Newsletter

Artifact No. 7 The Positionality

Artifact No. 7 The Positionality

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Artifact No. 9 The Comps

Artifact No. 7 The Positionality

Artifact No. 9 The Comps

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Alignment to standards

Self-Assessment with Rubric

Review

theory

References

Access

Instagram notes

Emergent Codes and Themes

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