Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
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In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact

Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
🕊
In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact
More
  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
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  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
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  • Contact

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The positionality

This section of my dissertation shows my revisions and inclusion of positionality. Peer feedback adds additional perspective to consider as I continue to revise.

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