Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
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In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact

Valenciá’s Garden

Valenciá’s GardenValenciá’s GardenValenciá’s Garden
🕊
In My Studious Era
  • 2024: Growcery Garden
  • 2024: Scholar Garden
  • 2024: ISU Course Design
  • 2024: My PhD Homework
  • 2023: My Autoethnography
  • 2022: EYL University
  • 2022: Freestyles
  • 2021: V-Achievable Q&A
  • 2021: Booktique
  • 2021: Everything Sheds
  • 2020: One Year Later
  • 2019: The Last Memoir
  • 2019: Nat Geo Fellowship
In My Activist Era
  • 2019: The Business of Edu
  • 2018: Self-Healing
  • 2018: Fine Free Library
  • 2018: Book Drive
In My Servant-Leader Era
  • 2018: Global Service
  • 2017: Kids Who Knw Evryth
  • 2017: Broken Keys
  • 2016: Soundless Cries
  • 2016: Queens’ Round Table
  • 2016: Crowning Blossoms
  • 2015: Literary Art Market
  • 2015: Cuba
  • 2014: White House IFAAE
  • 2013: Crossroads
About
Bio
Contact
More
  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
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  • Contact
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  • 🕊
  • In My Studious Era
    • 2024: Growcery Garden
    • 2024: Scholar Garden
    • 2024: ISU Course Design
    • 2024: My PhD Homework
    • 2023: My Autoethnography
    • 2022: EYL University
    • 2022: Freestyles
    • 2021: V-Achievable Q&A
    • 2021: Booktique
    • 2021: Everything Sheds
    • 2020: One Year Later
    • 2019: The Last Memoir
    • 2019: Nat Geo Fellowship
  • In My Activist Era
    • 2019: The Business of Edu
    • 2018: Self-Healing
    • 2018: Fine Free Library
    • 2018: Book Drive
  • In My Servant-Leader Era
    • 2018: Global Service
    • 2017: Kids Who Knw Evryth
    • 2017: Broken Keys
    • 2016: Soundless Cries
    • 2016: Queens’ Round Table
    • 2016: Crowning Blossoms
    • 2015: Literary Art Market
    • 2015: Cuba
    • 2014: White House IFAAE
    • 2013: Crossroads
  • About
  • Bio
  • Contact

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Analyzing THE FOCUS

  • I took the skin color and physically disabled people tests. 
    • The tests results show internal bias, which many educators share (Jackson, 2014). It can be viewed as a factor of intersectionality between colorism (Taylor, 2014) and ableism (Crenshaw, 2016) in schools. 
    • These results require reflection and next steps, as I recognize, they can directly impact the education provided to my students (Jackson, 2014) as well as my perspective as an Attention Deficit Hyperactivity Disorder (ADHD) intervention designer (Taylor, 2017). 
    • An educator’s bias can impact the ways of learning (Watkins & Van Aalst, 2014) as ways of learning vary across all cultures on an indivual level (Mason, 2014). 
    • If there is bias towards cultures or physical abilities, there will be outcomes for learners that we may not want such as teaching them our biases.

View Artifact No 3 The Bias

Qualitative translations

  • To further analyze the impact of the issue, the content and comments of my highest viewed Instagram classroom-based posts were qualitatively coded and categorized into themes to be judged based on theoretical suggestions for educating learners in my culture (Cornet et al., 2018). 
  • This form of validating my influential teaching practice showed
    • From 2016-2018, 55% of my classroom videos showed practices such as using motivational stories to engage learners and teach skills needed to complete objectives (Kumar et al., 2022)
    • From 2016, until the end of 2017-2018 school year, 20 out of 25 of my 15-60 second clip videos were filled with themes of empowerment, self-love, and critical thinking 
    • Towards the end of the 2017-2018 school year, 5 videos had subjective messages from me to the learners, in a banking style model of teaching (Freire, 2005) due to my bias about my learners 
    • By 2018-2019, 72% of my videos showed my bias through an angry tone of “tough love” coming from me, the teacher, who was essentially an outsider and authoritative figure (Berkovich & Grinshtain, 2022)

Objectivity Checklist

  • Reflective of personal Instagram posts ☑️
  • Presents multiple perspectives to avoid bias ☑️
  • Methodologically aligned to create validity ☑️
  • Goal-driven evidence of thread of change

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